
Garcilaso Inca de la Vega

Gift of the Chosen

Scenes from the Drama Ollantay
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1914. Lima, Teófilo Castillo:
On the edition of his "Pen & Ink Drawings".
Edit. Moral " The development attained by Gonzalez Gamarra can be
well appreciated; the strength of his personality, capable of handling
varied and complex themes, the swiftness of his eyes is able to synthesize
groups, register details but above all, it is in his technique in his
handling of the pen where the artist´s unique style is most apparent".
1922, New
York, Perrinton Maxwell, in: "Arts & Decoration", N.Y.
August 1922:
"His name is Francisco Gonzalez Gamarra and
his work may be classified as pictoric art, the quality of which any North
American or European painter would be justly proud. The surprising fact
about Sr. Gamarra is his versatility. He is a painter, an engraver, an
expert in water colors, pastellist, caricaturist, sculptor and composer.
He was to all intents and purposes self-taught and his works are imbued
with great originality. He had the sense to capture such aspects of
life as he could see with his own eyes which were transmuted into a host
of studies of great ethnological and artistic value representing the natives
of his homeland. In later years, his detailed studies of different Peruvian
types would constitute the only authentic record of these people..."
1927, Paris
Raymond Cogniat, in: "Revue de L Amerique Latine," Paris January
1927:
"An important aspect of Sr. Francisco
Gonzalez Gamarra is the variety of his tastes which leads him to take
an interest in diverse subjects without losing his unquenchable thirst
for knowledge and the desire to create. His discoveries and achievements
are of undeniable value and one is conscious above all of being in the
presence of a dilettante who is aware of all the different artistic
trends and tendencies.
The water colors and caricatures by the
artist prove that he is an established professional but certainly his
most interesting work is a series of washes (etchings) reproducing Inca
robes and above all numerous studies of decorative motifs taken from
ceramics and textiles belonging to pre-Colombian civilizations. The
author shows imagination, a notable feeling for the richness of color
or, better said, the remarkable sumptuousness of the materials. Certain
models can be likened to artifacts of the Egyptian civilization but
at the same time possesses their own very special features - magnificent
vestiges of a great area".
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Countryside lunch

A young Indian

The Mayor of Santiago
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